OAXACA, MEXICO - Art & Archaeology and Day of the Dead - October 2001

 A poster with a variety of food items

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In autumn of 2001, I traveled with Crow Canyon Archaeological Center to see the Day of the Dead ceremonies in Oaxaca, Mexico, and visit some archaeological sites and artisan workshops.

I am re-creating this trip 24 years later (it's June 2025 as I write this) , so some of the photos may be misplaced, and I am using most of the trip outfitter's notes (their commentary is put in quotes) because I can’t find my own notes….  But this blog will give you a look at the scenery and sites as they were in 2001.    I think you will find it interesting…. I did so enjoy reliving it!

A key attraction for me was to be in Oaxaca for the national celebration of Dia de los Muertos (Day of the Dead) when the souls of the dead are believed to return to earth.  Families begin days earlier to build altars in their homes and to visit graveyards to commune with their dead.  The gravestones are decorated with garlands, and gifts of favorite goods are left for the deceased.   Lighted candles, colorful flowers, and lively music give the cemeteries a festive air. 

The trip was led by Dr. Jeff Blomster, and it began and ended in Oaxaca City, Mexico. 

BACKGROUND

“Oaxaca is a vibrant and dazzling blend of old and new; of mountainous highlands and lush valleys; and of massive, austere ruins and brilliantly painted folk art.  This state in the center of Mexico was home to two of the earliest civilizations in the western hemisphere – the Zapotec and Mixtec cultures.  By the 1520’s, when the Spanish arrived in the New World, the Zapotec and Mixtec lived within a complex system of competing cacicazgos – native kingdoms or chiefdoms that expanded through alliances, marriage, and warfare.  Living in the arid Valley of Oaxaca, the Zapotecs invented the earliest writing in the western hemisphere and developed the first state, building the enormous capital of Monte Alban.  Occupying the mountainous region to the northwest, the Mixtecs followed a similar yet distinctive trajectory, constructing large cities contemporaneous with Monte Alban.   The 16th-century Mixtec codices (indigenous painted picture books) document the triumphs and defeats of important Mixtec leaders, such as Eight Deer and his family, with an emphasis on genealogy and legitimacy.

“Today Oaxaca is recognized for the richness of its arts and crafts.  Distinctive black pottery, colorful woven blankets and rugs, decorative clothing, and stamped tin items fill the market stall and artisan shops.  For centuries Oaxacans have been carving toys for their children, and this tradition has produced the brightly painted, copal-wood animal carvings that have become highly prized pieces of folk art.

“The Zapotec and Mixtec still flourish in the modern state of Oaxaca, and both refer to themselves in their native language as “the Cloud People.”   By examining the ruins of ancient cities, the impact of Spanish colonialism, and the current arts and traditions of the Zapotec and Mixtec people, this trip traced the paths of each culture.

Day one:

Most of this day’s activity was a walking tour around the central part of the city of Oaxaca de Juarez (the official name of the city).

The Cathedral of Our Lady of the Assumption, is the seat of the Roman Catholic Archdiocese of Antequera, Oaxaca. Its construction began circa 1535 and it was consecrated on 12 July 1733. It is dedicated to Our Lady of the Assumption. Outside this church, sidewalk sculptures in sand and plaster had their final touches put on as preparation for the Day of the Dead.

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We saw many other churches in our walk around the city. Even the interiors of some of them were filled with colorful tributes to the Day of the Dead. 

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This is another beautiful church, but I cannot identify it now (25 years after seeing it in 2001 and NOT making good notes to match the photos – get this, taken on film!).   If you help with that identification of this church, great.  Note the quadrilateral opening the houses a flowered window, the sculpture above the double doors that has only ONE person in it, and the empty niches at the side of the door.  (Even AI came up empty handed!)

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We visited the regional museum, which houses an impressive collection of gold ornaments, alabaster bows, and carved jaguar bones.   (Next trip, I’ll take some photos!).  Here is what AI has to say about this museum: 
The Regional Museum of Oaxaca, located in the Santo Domingo Cultural Center, houses a rich collection of artifacts from Monte Alban, 
a significant pre-Hispanic archaeological site. These holdings include treasures from the 14th-century Mixtec Tomb 7, discovered in 1932, showcasing gold, silver, turquoise, coral, jade, amber, pearls, and carved bone. The museum also chronicles the broader history and cultures of Oaxaca, spanning pre-Hispanic societies like the Zapotec and Mixtec, through the colonial period and up to the present day.” 

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Image courtesy of TripAdvisor

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Image courtesy TripAdvisor


Museo de las Culturas de Oaxaca, museums to visit, mexico top sights
image courtesy of ladyabroad.com


(See the terrific blog at
https://ladyabroad.com/5-museums-to-visit-in-oaxaca-city/  )

 

We had lunch at a second floor restaurant that looked down on the Zocalo, the main square.  Lots of festive balloons for sale to excited children!

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A large pile of balloons

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In the evening, nightlife on the zocalo features local bands.

 

Then, a walk through the main city market, the Benito Juarez market.  Chiles, mole’s and all kinds of foods and spices for sale, and one teenage vendor selling comic figures of skeletons on the toilet, etc.  All part of the Day of the Dead fun!   Other traditional arts and crafts are also sold in the market, and silver jewelry is a feature of many shops in town.

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A market with many bags of food

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Walking around town is just plain fun!  And at this time of year (Day of the Dead), a lot of residents get in the mood and put La Catrina figurines in their windows.

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(Here is what AI says about La Catrina….La Catrina, a skeletal figure dressed in elegant attire, is a prominent symbol of Day of the Dead celebrations in Mexico and beyond. She is not a figure of mourning, but rather a celebration of life and a reminder of the cyclical nature of life and death. Her image, popularized by artist Jose Guadalupe Posada and later by Diego Rivera, is a common sight during Day of the Dead festivities, adorning altars, being depicted in costumes, and gracing painted faces.”)

 

Day two:

A journey to the Etla and Tlacolula valleys, two of the three subvalleys that make up the larger Valley of Oaxaca.

Valle de Tlacolula, Oaxaca, México — Foto de stock © SharpShooter #88234510
Photo Credit:  Sharpshooter

 

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San Jose Mogote is an extremely important site where archaeologists discovered what may be the first example of writing in Mesoamerica.  According to Wikipedia, San José Mogote is considered to be the oldest permanent agricultural village in the Oaxaca Valley and probably the first settlement in the area to use pottery.  “As far as Zapotec ruins go, Mogote is the oldest of the old. The ruins are more overgrown and less excavated than others in the area. The major surviving structure is a sizable pyramid mound behind the primary school in the village center, with a narrow ball court at its foot.” says Lonely Planet.

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At the ancient site of Dainzu, there are elaborate “ballplayer” sculptures and a partly excavated ball court.

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Photo courtesy of Rudolph Eckhardt: “depicting ballplayers in dynamic posture. They are wearing elaborate protective gear with helmet and are holding a small ball in one hand.”


At Teotitlan del Valle, we have lunch at a Zapotec restaurant listed by the New York Times as one of the 10 best places to eat on the planet.  The restaurant was reviewed by Molly O’Neill in 1997 thus: “Tlamanalli shares an airy courtyard with a weaving studio. Tables are gathered under the arcade on one side, cool and inviting, looking out at the garden in the center. Tlamanalli is reigned over by a scion of one of the great Zapotecan weaving families, Abigail Mendoza Ruiz, who melds her family's Indian heritage of cooking and craftsmanship into artful, Zapotecan fare.”  It is located in a beautiful Colonial building…

Beautiful open kitchen 

 

We made a visit to weavers whose colorful tapestries and rugs are inspired by ancient motifs as well as by modern Navajo designs and the art of M.C. Escher and Pablo Picasso.

Two rugs hanging from a wall.
Image courtesy of Jacob Dean at  https://oaxaca.substack.com/p/the-skilled-weavers-of-teotitlan


Our next stop was the village of Tlacocahuaya to see its charming church.  The inside is very unusual. It is covered in frescos of local flowers, all beautifully preserved.

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photo courtesy TripAdvisor
Frescos and Retablo to Santa Rosa de Lima
photo courtesy TripAdvisor

Day three

 

A drive that takes us 2,000 feet in elevation – into Mixteca Alta, an area of high mountains and narrow valleys.  

MIXTECA ALTA, OAXACA UNESCO GLOBAL GEOPARK -Global Network ...
Photo courtesy of Global Geoparks Network

 

There we explore the ruins of the ancient public center of Yucuita.   The name means “Hill of Flowers.”  According to Wikipedia, “Because of its antiquity and its long-term continuous occupation (from the fourteenth century BCE to the ninth century CE), Yucuita is one of the most studied Mixtec archaeological sites.  There are two architectonic complexes that have been the object of numerous investigations since the 1930s.  One of these complexes was dedicated to the living quarters of the governing elite

San Juan Yucuita | SONY DSC | Diana Sanchez | Flickr
Photo courtesy of Diana Sanchez/Flickr

 

Next, to the town of Coixtlahuaca to visit one of the area’s three large cathedrals.  San Juan Bautista de Coixtlahuaca Convent was built by the Dominicans between 1545 and 1596 in the highly-ornate Plateresque style, whose name derives from the Spanish word for silver (plata). 

Photo courtesy of Miguel Angel Aviles

 

SAN JUAN BAUTISTA DE COIXTLAHUACA
Closeup photo courtesy of World Monuments Fund


Then we travel to the town of Huajuapan de Leon.  (Read more about it by clicking here 

The hill now known as the Cerro de las Minas, which dominates the valley of Huajuapan, was the site of an ancient Mixtec community.  It is a massive Classic Period site. This large hilltop site, occupied from 500 B,C, to 750 A.D., was contemporaneous with Monte Alban in the Valley of Oaxaca, but it features very different approaches to architecture and public space.  A system of writing, closely related to that used in the Mixteca Alta, developed here.

 

Photo Courtesy of Super Gato


Cerro de las Minas: mágica atracción en la Mixteca de Oaxaca
Photo countesy of Corporativonavarro.com


We descend in elevation into the Mixteca Baja, and we notice significant changes in the environment between the Mixteca Alta and the Mixteca Baja – the Baja has a warmer climate, different crops and different crafts.

La Agricultura Sustentable en la Mixteca poblana – CIMMYT | IDP

 

(We stayed overnight at the Hotel Garcia Peral in Huajuapan)

 

Day four:

 Off to see the Post-Classic and Colonial site of Teposcolula, where strangely Gothic larger-than-life saints adorn the entrance to the cathedral.

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Photo courtesy TripAdvisor

 

Then to the site of Huamelulpan, which features a large panel of elaborate hieroglyphs, unique funerary urns, and a spectacular view of the Huamelulpan Valley.

Huamelulpan (archaeological site) - Wikipedia
Photo courtesy of Wikipedia

 

Afternoon finds us at Yanhuitlan, a Post-Classic center occupied immediately prior to the arrival of the Spanish.  Yanhuitlan’s importance to local politics led the Spanish to choose it as the location of the largest structure they built in this part of Oaxaca – the Yanhuitlan Cathedral and convent.   For more images, see the excellent blog at  https://colonialmexico.blogspot.com/2013/05/yanhuitlan-church.html

 

Church of Yanhuitlan in Nochistlan Oaxaca, Mexico II Stock ...
Photo courtesy of Dreamstime


Day five

 We explored the enormous and magnificent ancient capital city of the Zapotec – Monte Alban.   “Located on a hill in the center of the Valley of Oaxaca, the site was occupied from 500 B.C. to 750 A. D. and covers a full 45 acres. 

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“Complex political philosophies and strategies were developed by the leaders of Monte Alban, culminating the formation of one of the earlies states in the western hemisphere.  For most of its existence, Monte Alban was by far the largest city in the region, dwarfing other towns and exerting considerable political control throughout the region.  In the earliest buildings, you can see carved hieroglyphics and the famous Danzantes sculptures (I am standing next to some of the sculptures)

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“Spectacular tombs, many of which are believed to be later Mixtec intrusions, leave scholars wondering about the complicated reasons for the demise of Monte Alban and the eventual transformation of Zapotec civilization.”

 

We visit the village of Coyotepec, where the famous black pottery of Oaxaca is made.

black pottery from San Bartolo Coyotepec

Photo courtesy of blogger Eric Mindling, who notes “The traditional pottery of San Bartolo Coyotepec, shown here, was more silver than black. It was made for carrying water, decanting mezcal, washing corn and other household needs.”   More at https://www.ericmindling.com/blog/the-elegant-crooked-line-part-7-the-third-village

 

We stop at a farm where the red-dye-producing insect, the cochineal, is raised.  From AI: “A cochineal farm, known as Rancho La Nopalera, is located in San Bartolo Coyotepec, Oaxaca, Mexico, near Coyotepec. This farm specializes in raising cochineal insects on Opuntia cacti, specifically for producing the natural red dye, carmine. The farm is highlighted on Tripadvisor as a place where visitors can learn about the cochineal life cycle and dye production. 

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Photos courtesy of TripAdvisor

 

This evening, October 31,  we visited Xoxocotlan Cemetery to observe the Day of the Dead ceremonies.

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A group of flowers and candles on a monument

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Day six

 

We visit sites in the Tlacolula Valley that thrived as Monte Alban’s power and control began to wane.

The site of Lambityeco features stucco portraits of male and female leaders and masks of Cocijo, the rain god.

Photo of the mask of the rain god, courtesy of Uwe Duerr

 

At the famous ruins of Mitla, the ceremonial and political center of an important Zapotec city-state, there are elaborate stone mosaics.    Parts of the sacred site were incorporated into a Spanish colonial church.

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The Frissell Museum houses treasures from Mitla and other Oaxacan sites.

 

We visit a mescal distillery, the Rancho Zapata Mescal Factory .

Crushing wheel

Rancho Zapata - Mezcalera Productora Artesanal & Restaurante Gourmet

Best pit stop
Photos courtesy of TripAdvisor


We visit the site of Yagul, an important civic and ceremonial center consisting of a complex of civic and residential structures known as the Palace of the Six Patios and the Labyrinth.

A landscape with a few ruins

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Day seven

Off to the Zimatlan Valley, where the focus is on the Post-Classic and Colonial periods.

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At Zaachila, two spectacular tombs were uncovered, revealing polychrome pottery, stucco sculptures, and gold ornaments.  Per Wikipedia:  These tombs are thought to belong to important Mixtec persons.   The city is named after Zaachila Yoo, the Zapotec ruler, in the late 14th and early 15th century. Zaachila was home of Donaji- the last Zapotec princess

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Photo courtesy of El Ágora

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Tomb One …. Photo courtesy of El Agora

 

Cuilapan is a Zapotec city where construction of a huge colonial convent was never completed.  It was built by the Dominicans in the 16th century.  The town is a place of historical importance since General Vicente Guerrero was executed here.   Here we are about 15 minutes from the city of Oaxaca...

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Photo courtesy TripAdvisor


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Photo courtesy of https://programadestinosmexico.com/

 

At Arrazola, a village that specializes in the carving and painting of unique, often bizzarre, wooden animals, we see the vibrant traditions of the modern Zapotec.  Many of the artists here became world famous.

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And so the trip ends back in Oaxaca, where I flew from there through Mexico City airport, and back to San Francisco.   (And yes,I brought back some carvings and some comic small figures of skeletons sitting on toilets.)